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DEATH METAL UNDERGROUND
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Total Deaf



Joined: 26 Nov 2013
Posts: 19

PostPosted: Tue Feb 11, 2014 1:36 pm    Post subject: Reply with quote

Death Metal Underground
Newsletter 2/4-2/10
Because Metal Is Art



Brutal Truth announces final European dates

Many of us are still in mourning from the recent announcement by NY grindmasters Brutal Truth that the band would be disbanding shortly. However, Brutal Truth is going on one last world-destroying tour and they’re releasing European dates for that tour now.

In addition to announcing their final tour dates, Brutal Truth has also unveiled the brand new video for the track “The Stroy.” Taken from their split with powerviolence band Bastard Noise, “The Stroy” shows Brutal Truth at its most vicious.

http://www.deathmetal.org/news/brutal-truth-announces-final-european-dates/


Oration of Disorder reviews 02-05-14


What’s an oration of disorder? What most people think of as “order” consists in telling other people what they want to hear and then manipulating them. That’s how you sell them products. But the selling of products is the opposite of what art and listeners need, which is a harsh voice to tell us the truth.

http://www.deathmetal.org/news/oration-of-disorder-reviews-02-05-14/


What is the underground?


This issue is about to explode into public discourse because the rise in new-style metal bands has forced this question upon us all.

What is the underground?

Before even reading this article, keep in mind that there are some excellent resources. First, The Heavy Metal FAQ provides a complete answer. Second, Underground Never Dies! is a whole book dedicated to this topic through the eyes of metal bands from the 1980s-1990s underground era.

But we can come up with an even quicker definition.

http://www.deathmetal.org/news/what-is-the-underground/


Triptykon announce Melana Chasmata release on April 14

Ex-Celtic Frost guitarist and compose Tom G. Warrior releases the second album of his Triptykon project, Melana Chasmata (“dark valleys”) on April 14 in Europe and April 15 in the USA through Century Media Records/Prowling Death Records Ltd.

This follows up on the first Triptykon album, Eparistera Daimones, which introduced the modern speed metal (think Pantera or a more artistic and slower Meshuggah) style mixed with Gothic and doom metal elements that so far has characterized the band.

http://www.deathmetal.org/news/tryptikon-announce-melana-chasmata-release-on-april-14/


Bazillion Points releases Heavy Metal Movies

Metal-related publisher Bazillion Points (of Metalion and Only Death is Real fame) is furthering its extensive catalogue, this time with a book chronicling the exploits of heavy metal movies.

Written by Mike “McBeardo” McPadden, Heavy Metal Movies covers over 1300 films, ranging from movies explicitly about a heavy metal theme (obligatory This Is Spinal Tap entry), to movies that were metal in spirit and thus became involved in bands’ artistic development (notably Lord of the Rings and Conan the Barbarian), in addition to various violent slashers and metal documentaries. Reviews are accompanied by color photographs and promotional artwork.

http://www.deathmetal.org/news/bazillion-points-releases-heavy-metal-movies/


Sadistic Metal Reviews 02-09-14

What are Sadistic Metal Reviews? When people decide that life is worth living, try to make good music. Unless they hope to make a quick buck, in which case they disguise bad music as “innovation.” We separate the good from the bad — with a machete. Come for the misery, stay for the occasional exception…

http://www.deathmetal.org/news/sadistic-metal-reviews-02-09-14/


Thevetat enters studio to record EP

http://www.deathmetal.org/news/thevetat-enters-studio-to-record-ep/


Satan “Life Sentence” tour 2014 kicks off in April

http://www.deathmetal.org/news/satan-life-sentence-tour-2014-kicks-off-in-april/


Codex Obscurum zine releases issue #4

The recent revival in non-ultra-niche zines for underground metal continues with the success of Codex Obscurum, an old-school style zine that takes advantage of modern technology. Our previous coverage of Codex Obscurum chronicles its development from the early days to mastery of aesthetic and content.

http://www.deathmetal.org/news/codex-obscurum-zine-releases-issue-4/


Interview: Zloslut

We reviewed Zloslut in our latest Oration of Disorder reviews. Response was good, and so we wrote to the band and asked if they’d do an interview. Hunter of Zloslut was good enough to respond and create this interview.

http://www.deathmetal.org/news/interview-zloslut/


DeathMetal.org is the net's oldest and longest-running heavy metal resource center and home of The Heavy Metal FAQ. We treat heavy metal music as a form of art and culture, and believe we should bring out the best in it. Our primary focus is death metal; but we remain open to new musical experiences, both within metal and without. To learn more, visit our information center at:
http://www.deathmetal.org/about

To join our weekly mailing list, visit:
http://www.deathmetal.org/mail/
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Conservationist



Joined: 25 Feb 2009
Posts: 2751

PostPosted: Tue Feb 18, 2014 1:15 pm    Post subject: Reply with quote

Death Metal Underground
Newsletter 2/11-2/17
Because Metal Is Art


The relationship between heavy metal and horror movies

Apparently Kirk Hammett’s Fear FestEvil went off without a hitch, bringing together metal fans and horror movie fans in a celebration of movie artifacts, horror movie personalities and metal bands saluting their favorite genre of film.

The festival featured performances by Exodus, Death Angel and Carcass, but also had as guests Kerry King (Slayer), Scott Ian (Anthrax/SOD), Doyle (Mistfits) and of course Hammett (Metallica) himself. In addition, you could meet movie legends like Boris Karloff’s wife and son, the man in the Godzilla suit Haruo Nakajima and a number of a directors and actresses from horror movies over the years.

The most interesting quote of the day however came from Hammett himself, who outlined the reasons for the relationship between metal and horror movies...

http://www.deathmetal.org/news/the-relationship-between-heavy-metal-and-horror-movies/


Marquis Marky leaving Coroner at end of February

Coroner occupy a unique place in metal history. Coming from the speed metal camp, they injected their music with technicality and a high art sense that placed them alongside Voivod and Prong as some of the 1980s oddities.

As power metal grew popular in the 2000s, Coroner came back into focus because so much of what they did presaged what power metal would become. As a result, the band re-united and began to play live again.
However, today drummer Marquis Marky announced on Facebook that he will be leaving the band at the end of February...

http://www.deathmetal.org/news/marquis-marky-leaving-coroner-at-end-of-february/


Defending metal before the internet

The Internet grew out of 1960s DARPA projects and has been with us a long time. Most of us however only began to explore it after September 1993 when AOL began mailing out all those free disks that allowed anyone (and they meant, Satan help us, literally anyone) to get on the internet. After that, the Internet became public property.

But before those times, in the days of the late 1970s through early 1990s, the BBS was king. Someone would set up a home computer on a second phone line, install and configure (or hand-code) some software, and then send out the word to others friends on their own BBSs. People traded files and wrote messages to one another, both private (email) and public (forums).

During the later days of that phenomenon, a user named Starmaster opted to defend heavy metal against accusations laid against it in a text-file known as Heavy Metal: The Untold Truth, translated here from the raw text file...

http://www.deathmetal.org/news/defending-metal-before-the-internet/


Death metal horror film Deathgasm wins funding

You may have read our previous coverage of Deathgasm, the metal-themed horror film that independent producer Jason Lei Howden of New Zealand intends to make. The film, which focuses on the story of two teenage boys who unwittingly summon an ancient evil entity known as The Blind One, will begin shooting in another eight to ten weeks.

http://www.deathmetal.org/news/death-metal-horror-film-deathgasm-wins-funding/

King Crimson spinoff group The Crimson ProjeKCt releases Live in Tokyo

A supergroup composed of King Crimson musicians, The Crimson ProjeKCt, will release Live in Tokyo through InsideOut Music on March 18, 2014. To commemorate the announcement of the live album’s release, the band have issued a video of their live performance of the 1974 King Crimson classic “Red” off the album by the same name.

http://www.deathmetal.org/news/king-crimson-spinoff-group-the-crimson-projekct-releases-live-in-tokyo/


Interview: Ray López of Thrash Corner Records

Regular DMU readers may have noticed that Puerto Rico has been on this site’s radar since Brett Stevens interviewed José “Chewy” Correa of Organic last year, and for good reason. The “Island of Enchantment” is more than just beaches, bikinis and piña coladas; it’s also home to one of the most active and diverse metal scenes that you’ve probably never heard of.

http://www.deathmetal.org/news/interview-ray-lopez-of-thrash-corner-records/


Teenage Time Killer readies debut LP

Occasionally, even the most cynical members of the DMU venture into the outside world to a realm where supergroups come together and convulse the media in marked excitement. Corrosion of Conformity members Mike Dean and Reed Mullin have put together a project entitled Teenage Time Waster, a 21-track album featuring many prominent names within the music industry.

http://www.deathmetal.org/news/teenage-time-killer-readies-debut-lp/


Destroying Texas Fest IX to destroy Houston on May 17, 2014

* Sadistic Intent
* Negative Plane
* Blaspherian
* Nodens
* Inverted Trifixion
* Morgengrau

http://www.deathmetal.org/news/destroying-texas-fest-ix-to-destroy-houston-on-may-17-2014/


DeathMetal.org is the net's oldest and longest-running heavy metal resource center and home of The Heavy Metal FAQ. We treat heavy metal music as a form of art and culture, and believe we should bring out the best in it. Our primary focus is death metal; but we remain open to new musical experiences, both within metal and without. To learn more, visit our information center at:
http://www.deathmetal.org/about

To join our weekly mailing list, visit:
http://www.deathmetal.org/mail/
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Total Deaf



Joined: 26 Nov 2013
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PostPosted: Sun Feb 23, 2014 7:00 pm    Post subject: Reply with quote

Death Metal Underground
Newsletter 2/18-2/23
Because Metal Is Art


Interview: metal academic John Sewell of the University of West Georgia

As part of our exploration of the ideas behind the metal, we take frequent peeks into the world of academia, where a number of metal academics are writing, teaching and evangelizing heavy metal as a cultural and artistic force. This is one mechanism for metal to rise above mere “product” status and be understood as a phenomenon with something to contribute to our understanding and society at large.

Today we chat with metal professor John Sewell, author of “Doing it For The Dudes”: A Comparative Ethnographic Study of Performative Masculinity in Heavy Metal and Hardcore Subcultures and the University of West Georgia’s resident metal analyst. We’re grateful to him for sparing us the time to chat about the meaning behind metal, and what it is that makes this genre quite difficult to pin down.

http://www.deathmetal.org/news/interview-metal-academic-john-sewell-of-the-university-of-west-georgia/


Black Sabbath – Tyr

If I ever have to declare a field of study — and I hope I never must — I will declare my intention to study transitional material. It is the most fascinating by far, and Black Sabbath Tyr demonstrates why.

Emerging in the final days of the 1980s and the first days of the new decade, Tyr shows Black Sabbath trying to keep one foot in what succeeded in the previous era while gesturing at inventing the next. The band is not bold enough to simply invent it, since they are too invested in being an industry in themselves. That puts them in the position of defending what they have by incorporating the current, not by redefining it and trying to become something new.

http://www.deathmetal.org/news/black-sabbath-tyr/


Autopsy unleashes Tourniquets, Hacksaws and Graves on April 29

http://www.deathmetal.org/news/autopsy-unleashes-tourniquets-hacksaws-and-graves-on-april-29/


Society views heavy metal as a symbol

If you’ve suffered through even a few years of big media, you’re probably aware how it functions through symbols. Where literature might describe something, big media trots out a handy symbol that might be described uncharitably as a cliche. Drinking = troubled. Strip bar = edgy. Slow dance = love. Motorcycle = rebel.

http://www.deathmetal.org/news/society-views-heavy-metal-as-a-symbol/


Mayhem – “Psywar”

Norwegian black metal band Mayhem have released the first side of their upcoming single, entitled “Psywar.” At 3.5 minutes it shows the band continuing their foray into modern extreme metal aesthetics.

http://www.deathmetal.org/news/mayhem-psywar/


DeathMetal.org is the net's oldest and longest-running heavy metal resource center and home of The Heavy Metal FAQ. We treat heavy metal music as a form of art and culture, and believe we should bring out the best in it. Our primary focus is death metal; but we remain open to new musical experiences, both within metal and without. To learn more, visit our information center at:
http://www.deathmetal.org/about

To join our weekly mailing list, visit:
http://www.deathmetal.org/mail/
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Conservationist



Joined: 25 Feb 2009
Posts: 2751

PostPosted: Thu Mar 13, 2014 4:50 am    Post subject: Reply with quote

March 12, 2014:

What are Sadistic Metal Reviews? The only path to metal glory is to make music that is metal both in form and content, and upholds the spirit of conquering the unknown and crushing the empty and pointless. Anything else fails and shall be mocked! Come for the impotent rage, stay for the occasional standout…

http://www.deathmetal.org/news/sadistic-metal-reviews-03-12-14/
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Total Deaf



Joined: 26 Nov 2013
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PostPosted: Sun Mar 16, 2014 4:10 pm    Post subject: Reply with quote

Death Metal Underground
Newsletter 3/9-3/16
Because Metal Is Art


Interview with Terry Butler of Massacre

Massacre carved a place for themselves in the death metal community years ago and with their foundational From Beyond, an album of tremolo-picked columnar death metal with big fuzzy production at a time when many death metal bands were still trying to emulate the muted-picked speed metal of the previous era.

Over two decades later, Massacre returns with Back From Beyond which sees release on April 1, 2014 via Century Media records. We were fortunate to be able to grab a few words with bassist Terry Butler, whose work with Massacre, Death, Six Feet Under and other Florida death metal bands has made him a towering legend in the community.

http://www.deathmetal.org/interview/interview-with-terry-butler-of-massacre/


Arctic Music relaunches with Julian Hollowell (Kult of Azazel) at the helm

Arctic Music Group (AMG), famed for quality death metal releases at reasonable cost in the early 2000s, will restructure itself into Arctic Media (AM) along with its imprint labels Arctic Music, Frozen North and Punktuation!.

Under the leadership of Julian Hollowell (Kult of Azazel, Hateplow) Arctic Music and Punktuation! will focus on extreme metal and punk. Under Ricktor Ravensbrück (Electric Hellfire Club), Frozen North will focus on electronic and industrial music. Finally, Mike Gallo of SBS Recordings will lead the new label imprint Blue Light which will focus on blues, country, reggae and world music.

http://www.deathmetal.org/news/arctic-music-relaunches-with-julian-hollowell-kult-of-azazel-at-the-helm/


Finland hosts Modern Heavy Metal: Markets, Practices and Cultures conference in June 2015

Toni-Matti Karjalainen of the Aalto University School of Business announced the Modern Heavy Metal: Markets, Practices and Cultures as slated for June 2015, in coordination with the International Society for Metal Music Studies. The conference is designed to be a fusion of business and management theory and observations on the business of heavy metal.

“The former black sheep of popular culture is today a relevant subject for almost any scientific discipline,” the conference organizational flyer announces. A Call For Papers and more information will be unleashed on March 31, 2014.

http://www.deathmetal.org/news/finland-hosts-modern-heavy-metal-markets-practices-and-cultures-conference-in-june-2015/


Interview with The Inverted Katabasis author Dean Swinford

We were fortunate to get some time for a chat with Dean Swinford, author of Death Metal Epic I: The Inverted Katabasis. As a person with extensive experience in both death metal and literature, Swinford provides a great deal of insight into both.

http://www.deathmetal.org/news/interview-with-the-inverted-katabasis-author-dean-swinford/


Saint Vitus on 35th anniversary tour of North America

http://www.deathmetal.org/news/saint-vitus-on-35th-anniversary-tour-of-north-america/


Sadistic Metal Reviews 03-12-14

What are Sadistic Metal Reviews? The only path to metal glory is to make music that is metal both in form and content, and upholds the spirit of conquering the unknown and crushing the empty and pointless. Anything else fails and shall be mocked! Come for the impotent rage, stay for the occasional standout…

http://www.deathmetal.org/news/sadistic-metal-reviews-03-12-14/


Master launches “North American Witchhunt Tour” in April


http://www.deathmetal.org/news/master-launches-north-american-witchhunt-tour-in-april/


Is all metal speed metal now?

All of this is well and good if we do one single but difficult thing: recognize that what we’re listening to now is a dressed-up version of what metal and punk were doing in the late 1980s. We’re walking backward in history, away from that scary underground death metal and black metal, and looking toward something less disturbing and more fun at parties. It seems no one has come out and said this, so I figured it must be said.

http://www.deathmetal.org/news/is-all-metal-speed-metal-now/


Adramelech – Psychostasia re-issued by Xtreem Music

Adramelech, long viewed as a younger brother to legendary Finnish death metal band Demigod, ride again with the re-issue of their classic Psychostasia on Xtreem Records. Revered for their ability to mix subtle melody with mid-paced death metal rhythms to produce an enveloping sense of pervasive darkness, Adramelech like Demigod found their way into many death metal collections but remained out of the spotlight that favored more dramatic bands.

http://www.deathmetal.org/news/adramelech-psychostasia-re-issued-by-xtreem-music/


DeathMetal.org is the net's oldest and longest-running heavy metal resource center and home of The Heavy Metal FAQ. We treat heavy metal music as a form of art and culture, and believe we should bring out the best in it. Our primary focus is death metal; but we remain open to new musical experiences, both within metal and without. To learn more, visit our information center at:
http://www.deathmetal.org/about

To join our weekly mailing list, visit:
http://www.deathmetal.org/mail/
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Total Deaf



Joined: 26 Nov 2013
Posts: 19

PostPosted: Mon Mar 24, 2014 6:20 am    Post subject: Reply with quote

Death Metal Underground
Newsletter 3/17-3/24
Because Metal Is Art



Teitanblood – Death

After black metal collapsed, fans went looking for the next great genre to fill the void. Unfortunately, the only “new” developments post-1996 have been of retrogression. Whether combining metal with vapidity (“post-black metal”), commercialism ((Watain, Satyricon)), or frequently both; fans were left without any direction to look to. After reviewing the situation, some honest people realized that “progression” was a sham and the solution was to take metal back to its earlier underground roots in death and speed metal.

Enter Teitanblood.

http://www.deathmetal.org/news/teitanblood-death/


Twilight – III: Beneath Trident’s Tomb

Commercial black metal. Oh dear.

Advertising agencies would like us to believe that Twilight is a “black metal supergroup”; but looking at the list of musicians involved, there isn’t much to do with black metal, let alone a noteworthy record within that genre. If there was a desire to be accurate, the band would be billed as “a group of musicians without much in common, to whom we rented a studio and told them to make something that we could promote”. It’s here the band succeeds…but not anywhere else.

http://www.deathmetal.org/news/twilight-iii-beneath-tridents-tomb/


Rob Flynn expounds on how commerce crushes creativity

Alternative metal band Machine Head frontman Rob Flynn recently launched a blog-based tirade in which he excoriates the current music industry for being too industrial in its approach to music. In his view, as soon as something succeeds and lots of people show up to make money off of it, creativity is crushed.

http://www.deathmetal.org/news/rob-flynn-expounds-on-how-commerce-crushes-creativity/


Mayhem announces details of Esoteric Warfare

http://www.deathmetal.org/news/mayhem-announces-details-of-esoteric-warfare/


Jason Netherton (Dying Fetus) releases Extremity Retained: Notes from the Death Metal Underground

Former Dying Fetus member Jason Netherton, now proprietor Send Back My Stamps!, releases his latest creation in the form of a 480-page book of interview with figures in the death metal underground called Extremity Retained: Notes from the Death Metal Underground. The product of over 100 interviews over a three-year period, the book is comprised entirely of first-hand stories, anecdotes, memories and opinions.

http://www.deathmetal.org/news/jason-netherton-dying-fetus-releases-extremity-retained-notes-from-the-death-metal-underground/


Interview with metal academic Ross Hagen

As part of our exploration of academia in metal, we meet all sorts of interesting academics with different relationships to metal. Some are more on the academic side, some on the musical, and some in-between. Ross Hagen straddles both extremes by being both a musician and an academic with a focus on teaching metal. As a result, he brings both personal experience and delight in the genre to the otherwise more abstract academic view. We were lucky to get in a few questions with this interesting person and teacher.

http://www.deathmetal.org/interview/interview-with-metal-academic-ross-hagen/


Darkthrone announces release of Black, Death and Beyond anthology

http://www.deathmetal.org/news/darkthrone-announces-release-of-black-death-and-beyond-anthology/


Codex Obscurum – Issue Four

Many of us old school death metal fans watched the rise of zine Codex Obscurum with growing interest because it, like Glorious Times and Underground Never Dies!, represents an attempt to look back at the underground and figure out what made it as powerful as it was. Part of the answer is selectivity, which is a gentle person’s form of “elitism,” meaning that one selects quality over quantity and vigorously promotes and defends the quality. This is what zines did, what radio shows did, and what labels did, back in the day, by choosing some bands over others. The vague smell of blood in the air is the shadow of long-forgotten predation and natural selection that also shaped us as humans, which means not so much “survival of the fittest” but that all who make a meaningful contribution get kicked upstairs and everyone else is forgotten.

http://www.deathmetal.org/news/codex-obscurum-issue-four/


Sorcier des Glaces releases Ritual of the End

Northern wanderlust black metal band Sorcier des Glaces announces its fifth album, Ritual of the End, to become available shortly through Galy Records. This Quebecois act made a name for itself in the internally collapsing underground by crafting lengthy melodies in windswept melancholic formations, despite the trends of the time which it rebuked.

http://www.deathmetal.org/news/sorcier-des-glaces-releases-ritual-of-the-end/


Interview with Dallas Toler-Wade of Narcotic Wasteland

Most metalheads know the name Dallas Toler-Wade from Nile, the modern metal band that dropped static riffing and late-1970s guitar rock structures into death metal and paved the way for a new generation of hybrids and mythological themes in metal. However, before Nile, Toler-Wade created music with his cohorts in the band that has become Narcotic Wasteland.

http://www.deathmetal.org/interview/interview-with-dallas-toler-wade-of-narcotic-wasteland/



DeathMetal.org is the net's oldest and longest-running heavy metal resource center and home of The Heavy Metal FAQ. We treat heavy metal music as a form of art and culture, and believe we should bring out the best in it. Our primary focus is death metal; but we remain open to new musical experiences, both within metal and without. To learn more, visit our information center at:
http://www.deathmetal.org/about

To join our weekly mailing list, visit:
http://www.deathmetal.org/mail/
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Total Deaf



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Posts: 19

PostPosted: Mon Mar 31, 2014 6:12 pm    Post subject: Reply with quote

Death Metal Underground
Newsletter 3/25-3/31
Because Metal Is Art



Oppression – Sociopathie & Glorie

Punk music, in all of its myriad strains, was an integral foundation of black metal. The sense of strong alienation coupled with a conflicted youthful exuberance towards the future was shared between both genres, in addition to technical specificities. As black metal burned through its trajectory and splintered into its various initiatory parts, it became clear that a punk foundation to the genre would be a logical ground for renewal.

It’s here that we find French-Canadian band Oppression...

http://www.deathmetal.org/news/oppression-sociopathie-glorie/


Autopsy releases “The Howling Dead” from Tourniquets, Hacksaws and Graves


Crepitant muciferous mid-paced death metal band Autopsy releases its newest album, Tourniquets, Hacksaws and Graves on April 29. This will be the seventh full-length for the long-running band, who took a break from 1995-2008, and most likely will showcase more of their streamlined rubric of aggressive death metal balanced by a mainstay of moderately paced material which gives contrast to the bursts of fury.

http://www.deathmetal.org/news/autopsy-releases-the-howling-dead-from-tourniquets-hacksaws-and-graves/


Cruxiter unleashes Madness of the Void demo 2014

Heavy metal band Cruxiter unleashes its latest demo, “Madness of the Void,” via YouTube in preparation for a cassette release. Cruxiter has been steadily gaining fans for its mixture of modern technique, classic heavy metal, and touches from the album-oriented melodic guitar rock of the late 1970s.

http://www.deathmetal.org/news/cruxiter-unleashes-madness-of-the-void-demo-2014/

Interview: Jari of Agonized

Finnish band Agonized got the break last year that they wanted two decades ago: a horde of people interested in their only demo, “Gods…,” which was subsequently and sequentially released on CD-R, vinyl, CD and tape.

Created in the old school style of primitive rumbling death metal somewhere between Belial and Demigod, “Gods…” comprised four tracks (and an intro) of disturbing inhuman noise shaped into musical form. Since metal has not produced any style more compelling than old school death metal, interest in such material has accelerated over the recent years.

We were fortunate to get in a few words with Jari from Agonized about “Gods…” and the circumstances of its creation, and how and why it endures today…

http://www.deathmetal.org/interview/interview-jari-of-agonized/


Nidhogg reveals details of Ildjarn and Hate Forest Those Once Mighty Fallen split

Last year, we reviewed Ildjarn’s contribution to the Those Once Mighty Fallen split. In it, we speculated that Ildjarn perhaps was uninvolved in composing that music, due to its distinct difference with the rest of his discography.

This perception turned out to be well-founded, as former collaborator NiDHOGG recently revealed the original demo tape via his Youtube page, composed by him in 1994...

http://www.deathmetal.org/news/nidhogg-reveals-details-of-ildjarn-and-hate-forest-those-once-mighty-fallen-split/

How to buy friends and manipulate people

Metal — and everything else humanity-related — is like the first day of first grade. People are still using the same tactics they used then as the basis of their behavior, mainly because there are only so many options and the goal hasn’t changed.

What is the goal? Society is a cooperation for the sake of survival. We need to get other people to work with us. Most people do that through socializing, others use raw power, some others can only deal with it through the filter of money. But when you socialize, there are only a few paths. You can try to be the over-achiever, with all As and good at athletics. Or you can stand out another way, which is being The Opposite of what people expect. You see this in high school drama departments the clearest, but it’s also present in entertainment and politics among adults.

The tactic is this: stand out by being “different.”

http://www.deathmetal.org/news/how-to-buy-friends-and-manipulate-people/


“Hacker Metal” by Brett Stevens on Perfect Sound Forever

I wrote an article about the cross-influence between hacking and heavy metal. It covers the use of alternative media, like BBS and AE lines, to convey a hidden truth that is shared between metalheads and hackers. The article is entitled “Hacker Metal” and it is published in Perfect Sound Forever webzine.

http://www.deathmetal.org/news/hacker-metal-by-brett-stevens-on-perfect-sound-forever/


DeathMetal.org is the net's oldest and longest-running heavy metal resource center and home of The Heavy Metal FAQ. We treat heavy metal music as a form of art and culture, and believe we should bring out the best in it. Our primary focus is death metal; but we remain open to new musical experiences, both within metal and without. To learn more, visit our information center at:
http://www.deathmetal.org/about

To join our weekly mailing list, visit:
http://www.deathmetal.org/mail/


Last edited by Total Deaf on Tue Apr 01, 2014 4:47 pm; edited 1 time in total
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PostPosted: Tue Apr 01, 2014 7:52 am    Post subject: Reply with quote

A couple more:

http://www.deathmetal.org/news/heavy-metal-documentary-the-distorted-island-heavy-metal-music-and-community-in-puerto-rico-releases-first-trailer/

http://www.deathmetal.org/news/blaspherian-demonstrate-new-song-in-san-antonio/

Previous thread:

http://www.nwnprod.com/forum/viewtopic.php?t=32747&start=15
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v8CDuf5



Joined: 09 Mar 2014
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Location: Netherlands / Netherworld

PostPosted: Tue Apr 01, 2014 8:46 am    Post subject: Reply with quote

I've been reading some articles... although I disagree with a lot, it's good there are sites like these... Exclamation Keep it up, very interesting.
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PostPosted: Tue Apr 15, 2014 1:56 pm    Post subject: Reply with quote

Death Metal Underground
Newsletter 4/1-4/15
Because Metal Is Art


Heavy metal documentary The Distorted Island: Heavy Metal music and community in Puerto Rico releases first trailer

A group of academics and metal fans called Puerto Rico Heavy Metal Studies spends its time working on a documentary about heavy metal in Puerto Rico named The Distorted Island: Heavy Metal music and community in Puerto Rico. The first trailer, seen below, from this project has been released as of yesterday.

Nelson Varas-Díaz, Osvaldo González, Eliut Segarra and Sigrid Mendoza comprise the research and filmmaking team. Dr. Nelson Varas-Díaz is Associate Professor at the University of Puerto Rico and a lifelong metal fan who has led the team in carrying out a research study on the local scene.

http://www.deathmetal.org/news/heavy-metal-documentary-the-distorted-island-heavy-metal-music-and-community-in-puerto-rico-releases-first-trailer/


Tony Iommi – Iron Man: My Journey Through Heaven & Hell with Black Sabbath

In Iron Man: My Journey Through Heaven & Hell with Black Sabbath, Tony Iommi writes his memoirs for a book that is both everything and Black Sabbath fan could want, and not enough. He writes about everything important and brings out some moments of great clarity, but then at some point the book expands like a drunken conversation and spills too much ink on the less important later Black Sabbath works. Iommi also has an offhand and conversational way of explaining things from his point of view that does not flesh out the details and background enough to let people know what was really going on. However, the juicy stories of rock ‘n’ roll excess, and most of the potent decision points in the Black Sabbath career, are not missed.

http://www.deathmetal.org/news/tony-iommi-iron-man-my-journey-through-heaven-hell-with-black-sabbath/


Metal Music Studies journal selling subscriptions directly

The journal of the International Society of Metal Music Studies (ISMMS), Metal Music Studies, is now available via subscription through direct purchase from the publisher Intellect Books. Editors Karl Spracklen and Niall Scott have been at the forefront of integrating heavy metal and academia so that the latter may study the former.

http://www.deathmetal.org/news/metal-music-studies-journal-selling-subscriptions-directly/


Why metal will never be understood, and never wants to be

We live in a land of confusion. Most people here have trouble differentiating between a conclusion and a method used to reach a conclusion.

Take for example the phrase, “That’s logical.” To most people, this conjures up a list of things that are accepted as having a basis in logic. When you ask them to parse something new, which involves applying a method to each sequential detail in order to find out how they fit together. That’s difficult; tracking conclusions and having a whitelist/blacklist of accepted ideas is easier.

If you want to know how metal calcifies itself, it is through these conclusions. Darkthrone ended up sounding the way they did as a result of their method, putting together all the pieces and coming up with a bigger direction. When bands imitate Darkthrone, none of this happens, and thus none of the music is nearly as good. They know how to imitate it from the surface inward, but they don’t know why it came about it and thus, how to charge it with the meaning the original had.

http://www.deathmetal.org/article/why-metal-will-never-be-understood-and-never-wants-to-be/


Pilgrim – II: Void Worship

After metal spent decades expanding its boundaries farther than may be wise, some individuals decided to adopt the inverse of this mentality. Instead of diluting the genre, go back to its roots – and construct songs within an existing framework, rather than trying to do both simultaneously. It is here that heavy-metal/doom “retrovival” band Pilgrim enters the spotlight.

http://www.deathmetal.org/news/pilgrim-ii-void-worship/


Dave Mustaine explores classical-metal hybrid

Speed metal tyrant Dave Mustaine (Metallica, Megadeth) takes to the stage with the San Diego Symphony to play guitar solos in place of violin leads.

He will play along with “Summer” and “Winter” from Antonio Vivaldi’s “The Four Seasons,” Johann Sebastian Bach’s “Air,” Richard Wagner’s “Ride of the Valkyries” and Antonín Dvořák’s “New World Symphony.” Mustaine described these pieces as shredding, fast and melodic.

http://www.deathmetal.org/news/dave-mustaine-explores-classical-metal-hybrid/


The difference between metal and punk, rock: it’s not literal

As author of The Heavy Metal FAQ, I have wrestled with the question of how to define metal over the years. Since it uses the same techniques as any other form of music, but used in different proportions and combinations, I have always focused on the idea that unites these uses which makes metal so obviously distinct from rock, punk and other forms of music.

To this I’d like to add another idea: metal is not literal. That is, metal tends to view the world through a symbolic or mythological lens. It does so to reflect our inward sensations about what is going on, plus a historical viewpoint which requires a more high-level view. The details don’t matter as much as the form, in metal, and we pay attention to the form and then put it in a folk-wisdom format.

http://www.deathmetal.org/article/the-difference-between-metal-and-punk-rock-its-not-literal/


Sinister plans release of The Post-Apocalyptic Servant in May 2014

http://www.deathmetal.org/news/sinister-plans-release-of-the-post-apocalyptic-servant-in-may-2014/


Goatcraft – The Blasphemer

While dark ambient provides a set of moods that metal listeners can relate to, it generally aims for simpler instrumentation than metal fans are accustomed to, and falls short of the dark yet violent atmosphere of death metal. Goatcraft merges horror movie soundtracks and dark ambient into “necroclassical,” a form of music created with a digital piano as its leading voice that creates a dense texture of melodic development underneath the soaring and expanding moods of dark ambient.

Created by the mastermind behind some of the music of After Death and other post-death metal projects, Goatcraft expands on the style of its previous work All For Naught with a greater tendency toward melodic development and more distinctive songs.

http://www.deathmetal.org/news/goatcraft-the-blasphemer/


Interview with - - -

For those who caught our review of the - - - /Dawning split some months ago, the intentional mystery behind - - - may have created some interest. Artists disguising themselves is nothing new; all of black metal disguised themselves under pseudonyms and paint like nocturnal vigilantes. Authors such as Thomas Pynchon are famous for their reclusive refusal to be photographed or interviewed. And in occult and ambient music, the situation gets even more obscure.

- - - create music that sounds like a heavy metal hybrid with the vaguely occult black metal of the style that Deathspell Omega made famous, but with a mix of heavy metal in the balance such as one might find from Paradise Lost or Primordial. The result floats gently through the speakers and is both familiar and highly distant. We were fortunate to gain access to the concealed personality behind - - - for a short interview on the nature of existence, music and possibly why black metal has lost its way.

http://www.deathmetal.org/interview/interview-with/


Thou Shell of Death – Sepulchral Silence

Underground metal musicians have always intensely observed ambient, no-classical, and avant-garde genres. Recognizing the same desire to merge the ideals of classical composition with modern technology and popular song structure, some merge these strands in their own metal-based music.

http://www.deathmetal.org/news/thou-shell-of-death-sepulchral-silence/

DeathMetal.org is the net's oldest and longest-running heavy metal resource center and home of The Heavy Metal FAQ. We treat heavy metal music as a form of art and culture, and believe we should bring out the best in it. Our primary focus is death metal; but we remain open to new musical experiences, both within metal and without. To learn more, visit our information center at:
http://www.deathmetal.org/about

To join our weekly mailing list, visit:
http://www.deathmetal.org/mail/
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