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NWN In Terrorizer (pic)
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Reaper's Grave



Joined: 28 Jan 2009
Posts: 2091
Location: Manchester, New Hampshire, USA

PostPosted: Fri Sep 18, 2009 3:07 pm    Post subject: Reply with quote

Warfare Noise wrote:
schoolslave wrote:
You fucking retarded??
They're released on Sombre.....


Slow down chief.

Marcel was pretty notorius for pressing records without a bands permission. Anyone who was actually around for the Sombre days knows this...


I don't think the Moonblood LP's are boots though. I mean what other format is Taste Our German Steel available on publically? Half the songs appear on their rehearsal tapes, but the LP versions are much better sounding quality. Also the alternate art of the Blut & Krieg LP from the tape is pretty good quality, i doubt it's boot. Also moonblood site back in 2001 or whenever it was made used to say you can still get LPs by contacting Sombre, so I don't think they would be boots.

I wouldn't doubt Marcel pressing records without band permission
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Heliogabalus



Joined: 06 Nov 2008
Posts: 1082
Location: 22 Acacia Ave.

PostPosted: Sat Sep 19, 2009 4:22 am    Post subject: Reply with quote

I think the exposure is great.
I'm not an underground snob and if
people want to try some blasphemy
good for them
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Endless Morbidity



Joined: 17 Oct 2007
Posts: 2108
Location: New York

PostPosted: Sat Sep 19, 2009 4:40 am    Post subject: Reply with quote

Is this the legacy MOONBLOOD wants? Is being featured in Terrorizer as a collector's item really better than being featured as a band?

The whole limitation thing has totally backfired.
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Kill Monument



Joined: 27 Feb 2008
Posts: 1077
Location: In a meaningless leaning mess

PostPosted: Sat Sep 19, 2009 6:26 am    Post subject: re Reply with quote

I enjoyed the BM issue. Anice change of pace from their usual Viking Metal, Metalcore, Deathcore fixation.
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peterott



Joined: 07 Aug 2007
Posts: 4669
Location: Germany

PostPosted: Sat Sep 19, 2009 6:38 am    Post subject: Reply with quote

Also the German Rock Hard magazine has a 32 pages Black Metal special in their newest issue too. Mr.masters_throne is included here with a mini-interview as well.

Seems better than the Terrorizer one (at least what I can say about the two pages from the scan).
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tom245



Joined: 20 Jul 2007
Posts: 691

PostPosted: Sat Sep 19, 2009 7:30 am    Post subject: Reply with quote

£400 for Blut Und Krieg? I usually doesn't pass the £200 mark. :S
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Blasphemophizer



Joined: 16 May 2009
Posts: 758
Location: Toronto, Canada

PostPosted: Sat Sep 19, 2009 8:00 am    Post subject: Reply with quote

Cool article. This is suprsingly good for Terrorizer Magazine. They usually have the worst stuff (for the most part).
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adrian5118



Joined: 30 Dec 2008
Posts: 2673

PostPosted: Sat Sep 19, 2009 8:19 am    Post subject: Re: re Reply with quote

Kill Monument wrote:
I enjoyed the BM issue. Anice change of pace from their usual Metalcore AND Deathcore fixation.

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Kill Monument



Joined: 27 Feb 2008
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Location: In a meaningless leaning mess

PostPosted: Sat Sep 19, 2009 8:24 am    Post subject: Re: re Reply with quote

adrian5118 wrote:
Kill Monument wrote:
I enjoyed the BM issue. Anice change of pace from their usual Metalcore AND Deathcore fixation.


Are you insinuating that Metalcore and Deathcore are the same thing? Hatebreed are Metalcore, Job For a Cowboy are Deathcore. They sound different. Shit but different.
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adrian5118



Joined: 30 Dec 2008
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PostPosted: Sat Sep 19, 2009 8:32 am    Post subject: Reply with quote

No no, just that is all any magazine fixates on now. Not even the other sub-genres. It all sounds like diarrhea.
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Blood and Thunder



Joined: 02 May 2008
Posts: 1285
Location: Melbourne

PostPosted: Sat Sep 19, 2009 3:11 pm    Post subject: Reply with quote

Endless Morbidity wrote:
Is this the legacy MOONBLOOD wants? Is being featured in Terrorizer as a collector's item really better than being featured as a band?

The whole limitation thing has totally backfired.


I stand by the idea that labels like EAL started pressing records in such limited quantities based on demand and the idea that those who truly wanted them would get them. Granted there did not appear to be any scientific strategy behind these pressings, but late '99 when they started putting vinyl out, the Black Legion trend hadn't surfaced and those bands were for the most part, truly maligned. It's easy to say in hindsight that limiting records to 100 or 333 copies was a clever ploy, but it's not the label who benefits, rather one of the recipients who manages to sell off one of these releases for a considerable profit.

I do agree that many have come along since and restricted quantities in the hope that this scenario will manifest, but in such a fickle sort of scene I don't believe there are too many labels out there who can truly forecast some sort of goldmine...
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CR99



Joined: 26 May 2007
Posts: 9615
Location: M�lheim an der Ruhr/Germany

PostPosted: Sat Sep 19, 2009 4:00 pm    Post subject: Reply with quote

i think it was drakkar that used mütiilation DLPs for writing underground or something like that because the shit didnt sell at all, haha
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Reaper's Grave



Joined: 28 Jan 2009
Posts: 2091
Location: Manchester, New Hampshire, USA

PostPosted: Sat Sep 19, 2009 4:49 pm    Post subject: Reply with quote

tom245 wrote:
£400 for Blut Und Krieg? I usually doesn't pass the £200 mark. :S


Probably the magazine found the highest selling auctions for each of these records so people will be like "wow...people who collect records actually spend £400 for these? They must be good."

As for the whole limitations by EAL etc, it's probably half-true. Before the hype, bands like Moonblood and Mutiilation and Vlad Tepes would sell rather slowly. I think I remember FMP having the Vlad Tepes demos until like 2002 and only having sold about 100-200 out of the 1000 units after all that time, then all of a sudden there was a lot of demand for them and they sold like hot cakes.
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Reed



Joined: 14 Oct 2008
Posts: 1716
Location: Denver, Colorado

PostPosted: Sun Sep 20, 2009 9:41 am    Post subject: Reply with quote

Yosuke, you need more 'Yakuza'-styled photos for all interviews.
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NWN PROD



Joined: 10 May 2006
Posts: 16334
Location: SF Bay Area

PostPosted: Mon Sep 21, 2009 6:50 am    Post subject: Reply with quote

Quote:
I stand by the idea that labels like EAL started pressing records in such limited quantities based on demand and the idea that those who truly wanted them would get them. Granted there did not appear to be any scientific strategy behind these pressings, but late '99 when they started putting vinyl out, the Black Legion trend hadn't surfaced and those bands were for the most part, truly maligned. It's easy to say in hindsight that limiting records to 100 or 333 copies was a clever ploy, but it's not the label who benefits, rather one of the recipients who manages to sell off one of these releases for a considerable profit.


Mutiilation was already very popular by the time EAL got around to releasing their stuff on vinyl. They could've easily moved 1000 copies of Vampires without any problem. I never understood why they only did 99.
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